Reposting: Rosh Hashana Still Life drawing video

Back in 2022, I created this little drawing video on my iPad with the Procreate app.  I am bringing it back today to wish those celebrating the Jewish New Year " L'Shana Tova" and  to everyone, no matter what calendar you follow, I wish you bright days and a sweet year ahead.  So let's get started.  Just press play.

Reposting: Pink Apples on a Branch (Oil Bar Painting)

This is an oil bar painting that I did in 2021.  I am reposting it today because I am sending it with wishes for Shona Tova for those celebrating the Jewish New Year, and wishing everyone happiness, health, peace, love, and success in the year ahead.

Hy Zagon, Pueblo, Colorado at City Park Zoo, 1942

I like to post photos of my father on August 28, which was his birthday.  So I was looking through my photos and although I have seen this one often, I don't think I have posted it here. This is from my mother's war-time album that begins with their first dates, then their wedding and honeymoon photos, and then Army pictures my dad sent back from Europe juxtaposed with photos of Pueblo. My mother met my father at a USO dance.  He was a Brooklyn boy, in the army and stationed in Pueblo for a short time. They married six weeks after they met,  had time for a honeymoon trip to Brooklyn, and then he was shipped  overseas to do his bit against the Nazis. 

This photo is one of the earliest photos in the album, and I believe this was their first date.* Today I cleaned it up a bit in Painter and iPhoto, but left it pretty much as it was.

This image might seem a strange choice to mark my father's birthday, but this moment marks a turning point in his life.  He was a young man from Brooklyn, just passing through Colorado at the whim of the US Army, but because he had met my mother there, his life would change, and he would come back from the war to live in Pueblo, not Brooklyn.  Here he is, a young bachelor, enjoying an outing at Pueblo's little zoo, enjoying the company of the woman he would marry.  Years later, as a husband and father, he would make many, many trips to this zoo with his daughter,  to show her the animals, let her climb "Monkey Mountain" and ride the carousel. across the street.

*(I know, there are other soldiers in the photo, so I could be wrong. But this is part of a little set of photos and I think my mother took this picture.)

Rage of Achilles (Painting as of Aug 19, 2025)

Here is my  current painting as it looked on August 19th.  This painting is for the upcoming show at Porter Mill show with the theme of the Iliad and Odyssey. This painting will become part of a series of  literary-themed paintings that I have wandered in to creating by participating in a number of shows with literary themes:  "Moby Dick",  "Alice in Wonderland",  "Scarlet Letter" and  a "Midsummer Night's Dream" so far. 

My painting for the show on Homer represents the  shield of Achilles, inscribed with the opening line of the Iliad,  as translated by Robert Fagles.:

"Rage -- Goddess, sing the rage of Peleus' son Achilles, murderous, doomed, that cost the Achaens countless losses hurling down to the House of Death so many sturdy souls." 

In this photo taken on Aug 19, you can see the inscription again The day before I had added a barely transparent layer of gold paint over the letters.  So the next day, I went over the lettering again.  Now the painting was beginning to take shape.  There is a lot of cleanup to do, but this is the basic idea.

Rage of Achilles (Painting as of Aug. 18, 2025)

Here is my "Homer" painting as it looked on August 18th.  This painting is for the upcoming show at Porter Mill show with the theme of the Iliad and Odyssey. This painting will become part of a series of  recent "literary" paintings that I have done for a number of shows with literary themes:  "Moby Dick",  "Alice in Wonderland",  "Scarlet Letter" and  a "Midsummer Night's Dream" so far. 

My painting for the show on Homer is a representation of the shield of Achilles.  It is inscribed with the opening line of the Iliad,  as translated by Robert Fagles.:

"Rage -- Goddess, sing the rage of Peleus' son Achilles, murderous, doomed, that cost the Achaeans countless losses hurling down to the House of Death so many sturdy souls." 

In this photo, you may have to take my word for it that those words are there.  On August 17, I had already arranged the words on the shield against a pale yellow background (underpainting), you might say. I was pretty happy with the lettering and layout, so it might seem strange that my next step was to cover the lettering with a  layer of gold paint that was almost opaque, but just transparent enough to allowed me to see out the lettering beneath. I did this to quickly establish the gold background color, so I could then go over the lettering again.  It seems counterintuitive but I find it easier and faster to do it this way.  To be continued. . . .

Rage of Achilles (Painting as of August 17, 2025)

Here is my current painting as it looked on August 17th.  This painting is for the upcoming show at Porter Mill show with the theme of Homer's Iliad and Odyssey. This will become part of a little unplanned series I have going of  paintings related to lliterature (so far "Moby Dick",  "Alice in Wonderland",  "Scarlet Letter" and  a "Midsummer Night's Dream" so far.) 

For the show on Homer,  I am painting a representation of the   shield of Achilles inscribed with the opening line of the Iliad,  e, as translated by Robert Fagles.:

"Rage -- Goddess, sing the rage of Peleus' son Achilles, murderous, doomed, that cost the Achaens countless losses hurling down to the House of Death so many sturdy souls." 

I had already roughed in the lettering, so on August 17, I put some pale yellow as a background for the text.  This is just an undercoat for the area that I hope will look golden when I am finished.  And my plan is to have gray areas are going to look like silver when this is finished

Rage of Achilles (Painting as of Aug 15, 2025)

On August 15th, I got underway with my painting for the upcoming Porter Mill show with the theme of Homer's Iliad and Odyssey. This is part of a little series I have going of paintings related to literary works (on "Moby Dick",  "Alice in Wonderland",  "Scarlet Letter" and  a "Midsummer Night's Dream"  so far.) 

For the Homer show, I decided to paint he shield of Achilles inscribed with a quotation from the Iliad,  the opening line, as translated by Robert Fagles.:

"Rage -- Goddess, sing the rage of Peleus' son Achilles, murderous, doomed, that cost the Achaens countless losses hurling down to the House of Death so many sturdy souls." 

  I had already laid out the text in pencil on canvas, so on August 15th, I went over the lettering with brown Sharpie marker, followed by brush work with paint.  This is still rough, but my goal was to work out placement of the text, which is actually part of the composition.

Rage of Achilles (Rough Sketch on Canvas) as of Aug 14, 2025

This is a rough sketch for a painting for the upcoming Porter Mill show with the theme of Homer's Iliad and Odyssey.  (By happenstance, I have a little series of paintings going, all related to literary works, a departure from my usual painting subjects.)  Over the past year, I have participated in  two literature-themed shows at Porter Mill (one on "Moby Dick", and one on "Alice in Wonderland") and a "Scarlet Letter" show at the Salem Athenaem and  a "Midsummer Night's Dream" show at TAG in Boston. 

So when I first learned of the Porter Mill "Homer" show, I said yes, and my idea came right away. I would paint he shield of Achilles inscribed with a quotation from the Iliad.  After some indecision on the quotation, I  chose the opening line, as translated by Robert Fagles:

"Rage -- Goddess, sing the rage of Peleus' son Achilles, murderous, doomed, that cost the Achaens countless losses hurling down to the House of Death so many sturdy souls." 

On August 13 and 14, I worked on the layout for this painting, using pencil on canvas.  My main goals:  create a spiral within a circle, and establish rough placement of the words.  I had to do a little digital cleanup to make it possible see the sketch.